How Creativity Works: Bisociation and Dreaming Playlists

This is going to be quick and dirty, but it’s a repeatable method. At this point, where the barrier of entry for making a podcast, comic, or similar is so low, you need every edge you can get, and a lot of people think that you can skimp on writing, or that any artist or musician or whatever can do it (you can’t do that any more than the writer can make the music or draw the art.) Like I said, you need every edge. You have to use Bisociation.

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The Stranger: Vanishing Hitchhikers and Other Possibilities

The Stranger, the ghostly figure who picks up Seeger and delivers him back to Malpais in episode seven, is an echo or a remix of several figures throughout literary and holy texts. He is, possibly, the most folkloric figure within Perdition's Teeth: more rooted in the American -- and, admittedly, some older -- legends than many of the other characters.

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Can't Wait For the Next Episode?

So, I’m a teacher who just went through finals week, Edgar recently got full time at their job, and Alex has a full time job and just went through a major life change that I’ll let him reveal at his own pace. The point is that, while we all believe in — and are dedicate to — Broken Hands Media, we have other things going on and sometimes a week just sucker-punches you right in the teeth.

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Down The Highway of the Damned: American Gothic

Perdition’s Teeth borrows from many sources — it is consciously formatted as an epic, it draws from Hardboiled and Road Fiction (most obviously Steinbeck’s The Grapes of Wrath, and — indirectly, Whose Names are Unknown, by Sanora Babb, the woman who did all of the research for both novels.) The one well that Edgar and I kept coming back to is that of regional American Gothic.

North America is a vast continent, spanning thousands of miles — the tag line comes from the distance between Oklahoma City (where the second episode begins, at the chronological beginning of the series) and Goldfield, where the first episode begins in media res. Between these two places, the heroes meet dangers both mundane and fantastic, and it is in this borderland that the gothic thrives — the tension between two poles, and the irreconcilable conflict between them.

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