Posts tagged Film
Theses on Barbenheimer

1.

When two aesthetic objects are placed in the same context, they are in conversation with one another, regardless of the designs of the original author(s). This is the fundamental principle of curation. By moving artwork around in in space or time, new readings become possible. This is something that is obvious to someone with my education, though I am sure that many other people have come to the same realization by other means.

Read More
The Great Reassessment: On Nostalgia and Experimentation

Somehow, though, famously bad – or just forgettable – movies like Super Mario Brothers, Waterworld, the Star Wars prequel trilogy, the Joel Schumacher Batman movies, Event Horizon, Starship Troppers, and Demolition Man are getting treated as hidden gems. Some of these I see the point with, others I don’t. Hell, I’ve done similar things in my own life with such films as Mystery Men. Is this simple nostalgia, or is it something else?

Read More
Jump in the Line: Beetlejuice as American Cringe

Look, I didn’t think I had been gearing up to write about the Tim Burton movie Beetlejuice, but I’m really seeing that a lot of what I’ve been talking about fit into this movie, and I really must admit that it’s a fun movie. I recommend rewatching it if you get the chance. It’s only an hour and a half long. However, I stand by what I said about the movie previously: it is part of that genre I mentioned and labeled American Cringe. (cover image from “Dead Ink Apparel” https://deadinkapparel.storenvy.com/products/24311235-dont-tread-on-me-chuck)

Read More